2016/12/13 In shows
Sense of Place
Sense of Place work shown:No two images sound alike No Two Images Sound Alike in “Sense of Place”No Two Images Sound Alike in “Sense of Place” Sense of PlaceDecember 10,
All posts by tkbuhler
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2016/12/13 In shows
CÓDEC/Festival de Vídeo y Creaciones Sonoras
CÓDEC/Festival de Vídeo y Creaciones Sonoras work shown:Stand in MemoryCÓDEC/Festival de Vídeo y Creaciones SonorasCentro Cultural AliacDecember 1 – 3, 2016Mexico City, Mexico “We are a festival / independent shows that
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2016/12/13 In shows
Sonorities Festival of Contemporary Music
Sonorities Festival of Contemporary Music work shown:HeapSonorities Festival of Contemporary MusicBelfast, IrelandNovember 24 – 28, 2016Programme notes (PDF) “From the 24th – 28th November 2016 we are featuring over 100 different
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2016/12/12 In shows
Anthropocene
Anthropocene work shown:Instruments of the AnthropoceneThe Fuse Factory 2016 Juried Exhibition – AnthropocenePearl Conard Gallery, The Ohio State University at MansfieldNovember 14 – December 7, 2016Collaborative project with artist Lexie StoiaThe
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2016/11/15 In 2016
Instruments of the Anthropocene (with Lexie Stoia)
Instruments of the Anthropocene (with Lexie Stoia) Collaboration with artist Lexie Stoia, for the 2016 Fuse Factory Exhibition.Sound collage using gourd, clay, stone, and leaves. blank
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2016/10/23 In 2016
ArtPrize 8
ArtPrize 8 work shown:Stand in MemoryArtPrize 8City Water Building (by Richard App Gallery)Sept 21 – Oct 9, 2016 Based on the video Stand in Memory (self-surveillance).Stand in my memory (installation)Stand in my
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2016/06/29 In shows
Semiotic Recipes: Cryptic Carousel VHS Compilation Series Vol. 2
Semiotic Recipes: Cryptic Carousel VHS Compilation Series Vol. 2 work shown:Sawing Sound (study 1)VHS tape compilation released by Cryptic Carousel in June 2016.Semiotic Recipes: Cryptic Carousel VHS Compilation Series Vol.
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2016/06/03 In 2016
Channel (with Lexie Stoia)
Channel (with Lexie Stoia) Collaborative work with Lexie Stoia (sound); this work was made with the sound as the driving force, in homage to the Earcatcher project. blank
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2016/04/13 In 2016
Stand in Memory (self-surveillance)
Stand in Memory (self-surveillance) Video work using 35mm slides from my family collection, Super8 film, text, field recordings;Instruments performed by Carlyn Waller and Courtney Belt; text from:Walter Benjamin, “Moscow Diary” (Cambridge:
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